88th Oscar Nominees

2 Each January, all film fans around the world turn their attention to the Academy Awards. Interest and anticipation builds to a fevered pitch leading up to the Oscar telecast in February, when hundreds of millions of movie lovers tune in to watch the glamorous ceremony and learn who will receive the highest honors in filmmaking. View complete list of nominees for 88th Oscars:   ACTOR IN A LEADING ROLE

  • BRYAN CRANSTON - Trumbo
  • MATT DAMON - The Martian
  • LEONARDO DICAPRIO - The Revenant
  • MICHAEL FASSBENDER - Steve Jobs
  • EDDIE REDMAYNE - The Danish Girl
  ACTOR IN A SUPPORTING ROLE
  • CHRISTIAN BALE - The Big Short
  • TOM HARDY - The Revenant
  • MARK RUFFALO - Spotlight
  • MARK RYLANCE - Bridge of Spies
  • SYLVESTER STALLONE - Creed
  ACTRESS IN A LEADING ROLE
  • CATE BLANCHETT - Carol
  • BRIE LARSON - Room
  • JENNIFER LAWRENCE - Joy
  • CHARLOTTE RAMPLING - 45 Years
  • SAOIRSE RONAN - Brooklyn
  ACTRESS IN A SUPPORTING ROLE
  • JENNIFER JASON LEIGH - The Hateful Eight
  • ROONEY MARA - Carol
  • RACHEL MCADAMS - Spotlight
  • ALICIA VIKANDER - The Danish Girl
  • KATE WINSLET - Steve Jobs
  ANIMATED FEATURE FILM
  • ANOMALISA - Charlie Kaufman, Duke Johnson and Rosa Tran
  • BOY AND THE WORLD - Ale Abreu
  • INSIDE OUT - Pete Docter and Jonas Rivera
  • SHAUN THE SHEEP MOVIE - Mark Burton and Richard Starzak
  • WHEN MARNIE WAS THERE - Hiromasa Yonebayashi and Yoshiaki Nishimura
  SHORT FILM (ANIMATED)
  • BEAR STORY - Gabriel Osorio and Pato Escala
  • PROLOGUE - Richard Williams and Imogen Sutton
  • SANJAY’S SUPER TEAM - Sanjay Patel and Nicole Grindle
  • WE CAN’T LIVE WITHOUT COSMOS - Konstantin Bronzit
  • WORLD OF TOMORROW -Don Hertzfeldt
  BEST PICTURE
  • THE BIG SHORT - Brad Pitt, Dede Gardner and Jeremy Kleiner, Producers
  • BRIDGE OF SPIES - Steven Spielberg, Marc Platt and Kristie Macosko Krieger, Producers
  • BROOKLYN - Finola Dwyer and Amanda Posey, Producers
  • MAD MAX: FURY ROAD - Doug Mitchell and George Miller, Producers
  • THE MARTIAN - Simon Kinberg, Ridley Scott, Michael Schaefer and Mark Huffam, Producers
  • THE REVENANT - Arnon Milchan, Steve Golin, Alejandro G. Iñárritu, Mary Parent and Keith Redmon, Producers
  • ROOM - Ed Guiney, Producer
  • SPOTLIGHT - Michael Sugar, Steve Golin, Nicole Rocklin and Blye Pagon Faust, Producers
  CINEMATOGRAPHY
  • CAROL - Ed Lachman
  • THE HATEFUL EIGHT - Robert Richardson
  • MAD MAX: FURY ROAD - John Seale
  • THE REVENANT - Emmanuel Lubezki
  • SICARIO - Roger Deakins
  COSTUME DESIGN
  • CAROL - Sandy Powell
  • CINDERELLA - Sandy Powell
  • THE DANISH GIRL - Paco Delgado
  • MAD MAX: FURY ROAD - Jenny Beavan
  • THE REVENANT - Jacqueline West
  DIRECTING
  • THE BIG SHORT - Adam McKay
  • MAD MAX: FURY ROAD - George Miller
  • THE REVENANT - Alejandro G. Iñárritu
  • ROOM - Lenny Abrahamson
  • SPOTLIGHT - Tom McCarthy
  FILM EDITING
  • THE BIG SHORT- Hank Corwin
  • MAD MAX: FURY ROAD - Margaret Sixel
  • THE REVENANT - Stephen Mirrione
  • SPOTLIGHT - Tom McArdle
  • STAR WARS: THE FORCE AWAKENS - Maryann Brandon and Mary Jo Markey
  FOREIGN LANGUAGE FILM
  • EMBRACE OF THE SERPENT - Colombia
  • MUSTANG - France
  • SON OF SAUL - Hungary
  • THEEB - Jordan
  • A WAR - Denmark
  MAKEUP AND HAIRSTYLING
  • MAD MAX: FURY ROAD - Lesley Vanderwalt, Elka Wardega and Damian Martin
  • THE REVENANT - Siân Grigg, Duncan Jarman and Robert Pandini
  • THE 100-YEAR-OLD MAN WHO CLIMBED OUT THE WINDOW AND DISAPPEARED - Love Larson and Eva von Bahr
  PRODUCTION DESIGN
  • BRIDGE OF SPIES - Production Design: Adam Stockhausen; Set Decoration: Rena DeAngelo and Bernhard Henrich
  • THE DANISH GIRL - Production Design: Eve Stewart; Set Decoration: Michael Standish
  • MAD MAX: FURY ROAD - Production Design: Colin Gibson; Set Decoration: Lisa Thompson
  • THE MARTIAN - Production Design: Arthur Max; Set Decoration: Celia Bobak
  • THE REVENANT -Production Design: Jack Fisk; Set Decoration: Hamish Purdy
VISUAL EFFECTS
  • EX MACHINA - Andrew Whitehurst, Paul Norris, Mark Ardington and Sara Bennett
  • MAD MAX: FURY ROAD - Andrew Jackson, Tom Wood, Dan Oliver and Andy Williams
  • THE MARTIAN - Richard Stammers, Anders Langlands, Chris Lawrence and Steven Warner
  • THE REVENANT - Rich McBride, Matthew Shumway, Jason Smith and Cameron Waldbauer
  • STAR WARS: THE FORCE AWAKENS - Roger Guyett, Patrick Tubach, Neal Scanlan and Chris Corbould
  DOCUMENTARY (SHORT SUBJECT)
  • BODY TEAM 12 - David Darg and Bryn Mooser
  • CHAU, BEYOND THE LINES - Courtney Marsh and Jerry Franck
  • CLAUDE LANZMANN: SPECTRES OF THE SHOAH - Adam Benzine
  • A GIRL IN THE RIVER: THE PRICE OF FORGIVENESS - Sharmeen Obaid-Chinoy
  • LAST DAY OF FREEDOM - Dee Hibbert-Jones and Nomi Talisman
  DOCUMENTARY (FEATURE)
  • AMY - Asif Kapadia and James Gay-Rees
  • CARTEL LAND - Matthew Heineman and Tom Yellin
  • THE LOOK OF SILENCE - Joshua Oppenheimer and Signe Byrge Sørensen
  • WHAT HAPPENED, MISS SIMONE? - Liz Garbus, Amy Hobby and Justin Wilkes
  • WINTER ON FIRE: UKRAINE’S FIGHT FOR FREEDOM - Evgeny Afineevsky and Den Tolmor
  SHORT FILM (LIVE ACTION)
  • AVE MARIA - Basil Khalil and Eric Dupont
  • DAY ONE - Henry Hughes
  • EVERYTHING WILL BE OKAY (ALLES WIRD GUT) - Patrick Vollrath
  • SHOK - Jamie Donoughue
  • STUTTERER - Benjamin Cleary and Serena Armitage
  WRITING (ORIGINAL SCREENPLAY)
  • BRIDGE OF SPIES - Written by Matt Charman and Ethan Coen & Joel Coen
  • EX MACHINA - Written by Alex Garland
  • INSIDE OUT - Screenplay by Pete Docter, Meg LeFauve, Josh Cooley; Original story by Pete Docter, Ronnie del Carmen
  • SPOTLIGHT - Written by Josh Singer & Tom McCarthy
  • STRAIGHT OUTTA COMPTON - Screenplay by Jonathan Herman and Andrea Berloff; Story by S. Leigh Savidge & Alan Wenkus and Andrea Berloff
  WRITING (ADAPTED SCREENPLAY)
  • THE BIG SHORT - Screenplay by Charles Randolph and Adam McKay
  • BROOKLYN - Screenplay by Nick Hornby
  • CAROL - Screenplay by Phyllis Nagy
  • THE MARTIAN - Screenplay by Drew Goddard
  • ROOM - Screenplay by Emma Donoghue
  SOUND EDITING
  • MAD MAX: FURY ROAD - Mark Mangini and David White
  • THE MARTIAN - Oliver Tarney
  • THE REVENANT - Martin Hernandez and Lon Bender
  • SICARIO - Alan Robert Murray
  • STAR WARS: THE FORCE AWAKENS - Matthew Wood and David Acord
  SOUND MIXING
  • BRIDGE OF SPIES - Andy Nelson, Gary Rydstrom and Drew Kunin
  • MAD MAX: FURY ROAD - Chris Jenkins, Gregg Rudloff and Ben Osmo
  • THE MARTIAN - Paul Massey, Mark Taylor and Mac Ruth
  • THE REVENANT - Jon Taylor, Frank A. Montaño, Randy Thom and Chris Duesterdiek
  • STAR WARS: THE FORCE AWAKENS - Andy Nelson, Christopher Scarabosio and Stuart Wilson
  MUSIC (ORIGINAL SCORE)
  • BRIDGE OF SPIES - Thomas Newman
  • CAROL - Carter Burwell
  • THE HATEFUL EIGHT - Ennio Morricone
  • SICARIO - Jóhann Jóhannsson
  • STAR WARS: THE FORCE AWAKENS - John Williams
  MUSIC (ORIGINAL SONG)
  • FIFTY SHADES OF GREY - “Earned It” from Fifty Shades of Grey; Music and Lyric by Abel Tesfaye, Ahmad Balshe, Jason Daheala Quenneville and Stephan Moccio
  • RACING EXTINCTION - “Manta Ray” from Racing Extinction; Music by J. Ralph, Lyric by Antony Hegarty
  • YOUTH - “Simple Song #3” from Youth; Music and Lyric by David Lang
  • THE HUNTING GROUND - “Til It Happens To You” from The Hunting Ground; Music and Lyric by Diane Warren and Lady Gaga
  • SPECTRE - “Writing’s On The Wall” from Spectre; Music and Lyric by Jimmy Napes and Sam Smith
 

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Oscar winning Mr. Hublot: Small step for Fox Renderfarm, giant step for China
Oscar winning Mr. Hublot: Small step for Fox Renderfarm, giant step for China
Mr. Hublot is a Luxembourg/France co-produced 11 min sifi animated film won the 2014 Oscar for Best Animated Short Film.Produced, written and directed by Mr. Laurent Witz and co-directed by Alexandre Espigares. Designed by sculptor Stephane Halleux, the story is set in a realistically world that is a combination of steam punk and a bizarre futuristic world.The silent film is about Mr. Hublot, an agoraphobia and obsessive compulsive mechanical man with clockwork counters running in his forehead. He's scared of change and scared of the outside world. His entire world starts to change when he saved a lonely and abandoned terrified robot dog from a cardboard box and turns his life upside down in the sweetest and heartwarming way.This visually and emotionally beautiful film uses full CGI (computer graphics imagery) to give us a futuristic steampunk environment for its title protagonist, the realistic and super detailed world realized with artful and breathtaking detail is easily another character in the film. The gorgeous mechanical and cluttered metropolis with magnificent details requires the use of massive computing power.While everyone is in the Oscar parties congratulates the winning directors and producers. No one knows that the super computing power supported this beautifully created Luxembourg/French production came from China. As Fox Renderfarm (child division of the Rayvision Shenzhen) silently supported the feature to its success.Located in the software park in Shenzhen 1st, the area where over 200 public traded tech companies are head quartered, is the highest concentration of tech companies in China. Rayvision has been in the rendering business for years. The sister division renderbus is currently the largest cloud rendering service serving China’s CGI industry. The collaboration of the film has pushed the company to be an Oscar winning world class provider for computing power on CGI rendering service. One of the very few world class cloud rendering service available, also the largest in the world.With more than 30000 cores and expanding rapidly, host of rendering experts and research team, RayVision’s advanced technical ability and high level support enables any production company be able to produce the highest quality master pieces without worrying not getting the power they needed. With clients and projects over 30 countries, hundreds of thousands studios and projects are being computed here in both Rayvision’s China and International divisions renderbus.com and foxrenderfarm.com.RayVision’s client industries expanding from 3D animated features, live action special effects, advertisement, architectural renderings, game cinematic, theme park ride films, large scale displays. With RayVision’s computing power, only sky is the limit for your creativity.Rayvision’s advance of super computing technology envisions progression of China’s foreseeable expanding film and entertainment market and is the first small step coming out of long way into the international entertainment. A small step for RayVision, a giant step for China. 1st Shenzhen is the first development city in China, right next to the border of Hong Kong.
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2022-07-01
Oscars 2020: Full list of winners
Oscars 2020: Full list of winners
Oscars history has just made! ‘Parasite’ Wins the Oscars for Best Picture, the first non-English speaking film receiving the Academy’s most prestigious award! Congrats to all the winners!Thank all the movie practitioners esp. the heroes behind for bringing us joys and tears, leading us, motivating us, and educating us. That’s why art matters!Here is a list of all the winners:Actor in a leading role Joaquin Phoenix - JokerActor in a supporting role Brad Pitt - Once Upon a Time...in HollywoodActress in a leading role Renee Zellweger - JudyActress in a supporting roleLaura Dern - Marriage StoryAnimated feature film Toy Story 4 - Josh Cooley, Mark Nielsen and Jonas RiveraCinematographyRoger Deakins - 1917Costume DesignJacqueline Durran - Little WomenDirecting Bong Joon Ho - ParasiteDocumentary (Feature)American Factory - Steven Bognar, Julia Reichert and Jeff ReichertDocumentary (Short subject)Learning to Skateboard in a Warzone (If you're a girl) - Carol Dysinger and Elena AndreichevaFilm EditingMichael McCusker and Andrew Buckland - Ford v FerrariInternational Feature FilmParasite - South KoreaMake-up and hairstylingKazu Hiro, Anne Morgan and Vivian Baker - BombshellMusic (original score)Hildur Guonadottir - JokerMusic (original song)(I'm Gonna) Love Me Again; Music by Elton John, Lyrics by Bernie Taupin - RocketmanBest PictureParasite - Kwak Sin Ae and Bong Joon HoProduction DesignBarbara Ling, Set Decoration: Nancy Haigh - Once Upon A Time...in HollywoodShort Film (animated)Hair Love - Matthew A Cherry and Karen Rupert ToliverShort Film (live action)The Neighbor's Window - Marshall CurrySound EditingDonald Sylvester - Ford v FerrariSound MixingMark Taylor and Stuart Wilson - 1917Visual EffectsGuillaume Rocheron, Greg Butler and Dominic Tuohy - 1917Writing (adapted screenplay)Taika Waititi - Jojo RabbitWriting (original screenplay)Bong Joon Ho, Han Jin Won; Story by Bong Joon Ho - ParasiteFor full list: https://oscar.go.com/nominees
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2020-02-12
First Man Won The Oscar Visual Effects, But, Where Is Its VFX? (1)
First Man Won The Oscar Visual Effects, But, Where Is Its VFX? (1)
The 91st Oscar Academy Awards are over. First Man beats Avengers: Infinity War, Christopher Robin, Ready Player One, Solo: A Star Wars Story for the Best Visual Effects Award.First Man is a documentary film about the life of American legendary astronaut Neil Armstrong, focusing on his process of becoming the first man in human history between 1961 and 1969. First Man's director is Damien Chazelle, who won the 89th Oscar for Best Director Award for La La Land. Neil Armstrong is stared by Ryan Gosling who was the Best Actor nominee with La La Land in Oscar. The visual effects supervisor, Paul Lambert(Blade Runner 2049), who received the Oscar's Best Visual Effects last year.Visual effects are mainly done by the DNEG Vancouver team and more than 400 artists and technicians from India. If you just watch the movie, you can't see where the special effects are used. It's very real. Similar to Dunkirk directed by Nolan in 2017. Both are Invisible Effects. Where are the visual effects used? Today we will share with you some of the production stories behind.Redefine "camera shooting"In order to make the lens picture feel in the 1960s, the production team combined the previous technology with the modern new technology, in addition to using a huge LED screen as the background, the miniature landscape model and some Physical effects, precious NASA imagery resources and so on.The director's idea is to redefine "camera shooting" throughout the shooting and production.When visual effects supervisor Paul Lambert first met director Damien, the director showed him a full-featured notebook with all the story-lines, descriptions and effects of each scene. That is to say, the director has done a lot of preparation for how to shoot. His original idea was to circumvent the green or blue screen and get the real shot material from the "camera" as much as possible.For this purpose, the on-site shooting team built a 35-foot LED screen with a width of 60 feet to provide a wide visual view. Play on the screen for 90 minutes CG rendered earth background. The playback screen can be 360° flipped according to the specific requirements and actual conditions of the live shooting, for close-up or high-definition lens shooting. For example, the lens shown below, starring Ryan Gosling driving the X-15 to break the atmosphere, we see the reflection on his goggles, is the picture of the big screen. Using the LED screen as the background for shooting, you can create interactive lights and reflections on the character, and the rendering effect will look more realistic.They also used a miniature model when shooting. The team produced a number of different scale models for the LEM docking sequence. For example, there is a lens centered on the spacecraft. The model used is the following one, which is very real, but it seems to be S code.When it comes to some distant shots, it will use CG production. For close-ups that are close at hand, a full-size oversized model is used. For example, the Gemini capsule is the 80%-90% oversized model of the real size, and the big guy we show below. For more content, welcome to the arrival of First Man Won the ‘Oscar Visual Effects, But, Where is its VFX? (2)’.
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2019-09-30
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