V-Ray 3.4 For Sketchup To Make A Work "Container Cabin"

Chaos' V-Ray is a powerful rendering engine widely used in the computer graphics industry. It provides high-quality and realistic rendering for various 3D software applications such as 3ds Max, Maya, Cinema 4D, and more. V-Ray offers advanced lighting and material options, global illumination effects, and efficient rendering algorithms, allowing artists to create stunning visuals for their projects.Using V-Ray for rendering can achieve higher quality results, but sometimes V-Ray rendering can be slow, taking several days to render just a minute of video. Apart from making some adjustments in your project files, another option to speed up V-Ray rendering is utilizing a V-Ray render farm for faster and more efficient rendering.Next, as a leading render farm and cloud rendering service provider in the industry, Fox Renderfarm will introduce you to some excellent V-Ray render farms.1. Fox Renderfarm - Best V-Ray Render FarmFox Renderfarm has over 20 years of experience in cloud rendering services and as a V-Ray render farm, it is committed to providing the best V-Ray cloud rendering service. In addition to V-Ray, it also supports 3D software such as Cinema 4D, 3ds Max, and Maya that can work with V-Ray. Both CPU and GPU rendering are supported. They have an online rendering platform as well as a desktop application, both of which are constantly maintained and updated. Currently, they offer a $25 free trial for all new registered users. Additionally, they provide real-time chat support where you can reach out to their customer service representatives if you have any questions about V-Ray rendering services.2. RebusFarm - Your V-Ray Render FarmRebusFarm is a renowned render farm service provider that supports various rendering engines, including V-Ray. It is not exclusively a V-Ray render farm but offers support for V-Ray along with other popular rendering engines. With RebusFarm, users can submit their V-Ray projects for rendering and benefit from the farm's powerful infrastructure to accelerate the rendering process. RebusFarm provides a user-friendly interface, reliable cloud rendering services, and efficient support for V-Ray and other compatible rendering software.3. iRender - Powerful V-Ray Render FarmAs a V-Ray render farm, iRender is a cloud-based rendering platform that specializes in providing efficient and powerful rendering services for V-Ray users. They offer support for V-Ray rendering with both CPU and GPU options. iRender provides a user-friendly interface and scalable cloud resources, allowing users to render their V-Ray projects quickly and effectively. Whether you need to render architectural visualizations, animations, or product designs, iRender can help accelerate the rendering process by leveraging their dedicated infrastructure and computing power.4. GarageFarm - Effective V-Ray Render FarmGarageFarm is also a V-Ray render farm. It is a popular cloud rendering service provider that supports various rendering engines, including V-Ray. With GarageFarm, users can submit their V-Ray projects for rendering and take advantage of their powerful infrastructure to speed up the rendering process. GarageFarm offers flexible pricing options, extensive software compatibility, and 24/7 support to ensure a smooth rendering experience. Whether you are working on architectural visualizations, animations, or other V-Ray projects, GarageFarm can provide the rendering resources needed to achieve high-quality results in a timely manner.5. Super Renders Farm - Affordable V-Ray Render FarmSuper Renders Farm is a cloud rendering service provider that supports V-Ray rendering along with other popular rendering engines. Super Renders Farm offers a user-friendly interface, flexible pricing options, and powerful cloud infrastructure to accelerate the rendering process for V-Ray users. You can submit your V-Ray projects to the Super Renders Farm platform, and they will distribute the rendering workload across their network of high-performance servers to deliver fast and efficient results.ConclusionWe hope you find the best V-Ray render farm for you. But if you can't decide which one to use, try Fox Renderfarm, which is also a TPN-Accredited render farm and is now offering a $25 free trial for new users.

The best cloud rendering services provider and 3ds Max render farm, Fox Renderfarm will share with you a tutorial of using 3D to make 2D style scene.In this case, we show the use of 3ds Max to create 2D animated movie-style scenes and will focus on explaining the Makoto Shinkai-style picture performance. From his animation works, we can feel a strong personal style, exquisite light, and shadow applications, strong light and dark contrast and gorgeous colors are the biggest features of his works, these features make his works look more real. Reference material from Makoto Shinkai’s animated film "Koto no ha no niwa".Some pictures material comes from the 2D animated film "Koto no ha no niwa", and some screenshots are found for reference.The whole idea:Composition layout and lighting testMaterial adjustment and rendering settingsUse of channelsColor comparison and synthesisComposition layout and lighting testIt is very important to make scene lights in this style, often in small details, such as the bright and dark junction of very bright objects, reflections in small details, the color gradient of objects under the influence of light, and the objects interspersing and blocking, the resulting changes in light are all things we need to pay attention to. Every time I watch an animation, I am always moved by these nuances. The models used in this tutorial are very simple. When doing interior scenes, it is often to build a simple BOX first and modify the approximate shape to test the lights to see if they meet the expectations. But when making, it is better to have an imaginary picture first, so that you can judge whether you have achieved the desired effect when you are done, but you must know what kind of effect you want before you do it.This is a scene from the animated movie "Koto no ha no niwa", which is real in Shinjuku Gyoen Park, Japan. What I want to do now is to make the 2D animation feel with 3D. First, use a simple model to determine the main pavilion. And the location of the surrounding trees, place the camera, as the picture shows:Then we can see through the original animation that the light is shining from the bottom left corner.Here, a standard target parallel light is used as the main light source. The angle of light and the attenuation range of the illuminated area are adjusted. The shadow length and direction of the trees are observed and adjusted to a suitable position. Adjust the UVW in the shadow parameters to blur the tree projection to make it unreal. Open the environment and effects panel, add a VRaySky map to the environment map, drag it to the material panel by example, check the first column, pick the target parallel light in the scene, and set the map light intensity to 0.03. You will get a sky environment that matches the scene lighting, making the rendering more realistic.A high light and dark contrast picture is needed here, so no ambient light is used in this scene. In addition, a VRayLight was created in the direction of the light to simulate a small range of strong sunlight. It can produce more intense light and shade. The parameter settings are the shape of the light is spherical, the intensity is 200, the color is warm, and the light is not visible.Open GI and test the lighting effect, as follows:After the lights are almost well, we start to refine the scene, and finally, it looks like this:In order to simulate the feeling of the rainy season in the original animation, I used the 3ds Max particle system to simulate some raindrops, created a standard particle flow source, and added a random rotation to make the raindrops have some random changes.I also used the MultiScatter plugin to plant some grass.Material adjustment and rendering settingsIn terms of materials, I will focus on the material of the pavilion and the surface of the water. The material of the pavilion must be rendered wet and wet. Because the scene is rainy, I chose mirror high reflection on the material. I did not check Fresnel. The top will be completely reflected in the surrounding trees, plus the projection of the tree occlusion to get a similar effect.The water surface did not make it reflect the sky and clouds like the original painting, but chose a green that matches the scene, as shown in the following figure:The material of water is as follows:Next, we can adjust the rendering parameters. Anti-aliasing uses Catmull-Rom with a certain sharpening effect, which can make the details of the trees richer. Turn on the reflection environment. A VRayHDRI map is added to the reflection environment. The exposure selection is the last one. The term Reinhard mixed exposure is similar to the combination of exponential exposure and linear exposure. Set the blend value to 0.7.VRayHDRI is displayed as a sphere with an intensity of 4.Using the VRayHDRI map can increase the reflection details of some scenes. Turn on the GI and use the Irradiance Map for the first bounce. The first bounce is the first global light calculation for the direct light. The second bounce uses the Light Cache. Actual calculation, turn on display calculation phase. As the picture shows:Open the rollout of the light cache, set the light subdivision to 1500, andcheck the options in the figure.The rendering effect is as follows:Now please follow the best CPU &x26; GPU render farm and cloud rendering services provider to our next part: Creation Analysis: Using 3D to Make 2D Style Scene（2）.

Your powerful CPU &x26; GPU cloud rendering services and TPN-Accredited cloud render farm, Fox Renderfarm still shares with you the 3ds Max tutorial. In this tutorial, I conceived a sci-fi style scene, and named it "Fortress".IntroductionBefore I started production, I just made a preliminary idea. Because I didn't have too much time to create, I didn't draw a conceptual drawing. I just made a model while conceiving, so it took some time for the model to determine the final form. In the end, I rearranged it before finally making all the models.The first thing I made was the head model of the robot. This model refers to the works of other artists. I defined the function of this robot as combat, so I changed its right hand to a firearm. The left and right are changed to claws according to the need to grasp things. In order to highlight the bright spots on the body, several red lights have been added.After the building behind the robot is made, the composition problem needs to be considered. I prefer the wide composition. Originally, I didn't plan to place a spaceship behind the robot but made a large-scale crawler machine that walks on the ground.However, I tried placing the composition in the lens, and after several attempts, I was not satisfied with the result. Later I thought of another method. I drew a diagonal line from the upper left corner to the lower right corner of the screen. The triangle in the upper right corner of the screen would be empty, and the composition on the left would be very crowded and the scene elements would appear impenetrable. So I referred to a conceptual drawing drawn by Mr. Sebastien Larroude, removed the track of the second main body, and added a sail to turn it into a spaceship. In this way, the composition in the camera becomes a stable triangle.LightingAfter the composition is determined, it is the lighting work. In this project, I use the V-ray renderer for lighting and rendering. V-ray is very easy to use and can save money. I think it is very suitable for this project.The main light source I use is the V-Ray sun in the V-ray rendering plug-in. The V-Ray sun can simulate the real sunlight effect. At the same time, I use the V-Rsky texture lighting method here and use the dome to simulate the skylight and form a more realistic shadow. They are the different effects produced by ordinary spotlights and V-Ray light.The parameters of VRaySun are very simple. What needs attention is the light intensity. It is recommended to use VRayPhysicalCamera when using VRay Sun. If you use MaxCamera, it is best to change the Intensity multiplier to a small value. The size of the size multiplier area reflects the intensity of the sun's direct illumination range. The smaller the value, the smaller the straight-line light shadow range. On the contrary, the larger the shadow range, its the numerical unit is set according to the scene size.The parameters of the V-Ray Sun are as follows.The most important part of lighting is that the colors of the cold light source and the warm light source complement each other. For example, when making some relatively large scenes, the foreground and the background need to be separated, and the more we separate, the stronger the sense of perspective. A reasonable main light source will be the key to success. So in this step, we need to repeatedly test the rendering results.Now please follow the best CPU &x26; GPU cloud rendering service and TPN-Accredited render farm to our next part: 3ds Max Tutorials: Making a Sci-fi Scene in 3ds Max (2).